“Carlos Guitarlos is one of the greatest Blues/Americana guitarists of our time and he might just be a better singer than guitar player.”
…Mike Varney, founder of Shrapnel Records Group and Blues Bureau International
The Carlos Guitarlos Band will be appearing LIVE @ The Liquid Kitty, 11780 West Pico Blvd., Los Angeles, CA 90064 (one block east of Bundy) Sunday, April 14, 10:00PM (free/21 & over)
JUST ADDED!! SPECIAL GUEST APPEARANCE BY RUDY PARRIS
RUDY PARRIS, from “The Voice, 2012 Season”
Rudy will be joining Carlos and The Carlos Guitarlos Band at The Liquid Kitty just after midnight
to sing, play, and jam!!
CARLOS GUITARLOS – one of the world’s greatest roots and blues songwriters / guitarists from the infamous TOP JIMMY & THE RHYTHM PIGS – a seminal LA blues band from the 80’s
The Carlos Guitarlos Band features
Adam Steinberg, Drums (Adam has played with/for: GhostTown, Bellylove, Visionquest jazztet, West 79th St. Jazzband, Kenny McGill’s jazz circle, Scott Detweiler, Louise Fraser, Ken ‘the Saxman’ Warfield jazz band, Linda Stevens, Korilyn Stevens, Chani Kritch, Andy Milukoff)
Mike Hightower, P-bass (Mike has played with/for: Sting, Ray Manzarek, Robby Keiger, John Legend, June Pointer, Mary J. Bildge, Bonnie Pointer, Lester Bulter & 13)
And Carlos Guitarlos, Carlos has played with/for: (Marcy Levy, Jim Keltner, Tom Waits, Los Lobos, The Blasters, Maria McKee, John Densmore, John Doe, Dave Alvin, Top Jimmy, Gil T., Steve Berlin, Steve Nieve, Jeff Ross)
Here are four songs performed by The Carlos Guitarlos Band from Cadillac Zack’s Monday Night Blues Party
Jonny Whiteside says: “They don’t call him Guitarlos for nothing–the cat wields his ax with flabbergasting skill, a mix of sophisticated technique and sheer musicality that allows him to employ a long-range artistic reach spanning a spectrum of impressive breadth, depth and height.
Technically, Guitarlos is unrivaled–he’s capable of playing melody, an intricate bass line and beating out hot percussion all at once, creating a full-blown sound that positively dazzles. With a bottomless repertoire that demonstrates an intimate knowledge of almost every vernacular American music form, he also delivers it in a wildly idiosyncratic fashion that is as undeniably authentic as the hard-knock life he’s led.
Los Angeles Times says: “. . .The technique is unmistakably sophisticated: chords and melody played simultaneously, the way Chet Atkins might have done. An old gravelly blues voice, perfectly cracked, effortlessly in tune, pours from the slumped singer. The truthfulness of the voice commands you to listen. . .”
LA Weekly says: “If you’re going to name yourself Carlos Guitarlos, you’d better make sure you’re a damned good guitarist. So good, in fact, that you can play anywhere, out on the streets or in a fancy concert hall, with the uncanny ability to pull from memory just about any blues-rock classic and, on top of that, play it in a style that’s uniquely your own. And then, somehow, you should also be so good that you can write and sing dozens of your own originals, in all manner of genres, from bewitchingly sad ballads and deft Beatles-like pop structures to ragingly dirty blues and Latin soul. –Falling James”
The Times of London gives Carlos Guitarlos at Borderline a FIVE STAR rating: “There is talk of making a Hollywood movie about the life of Carlos Guitarlos, and you can see why. As the guitarist with the LA blues-punk group Top Jimmy and the Rhythm Pigs in the 1980s, he lived a life of unbridled excess. By the time Top Jimmy died of liver failure, Guitarlos was drunk, divorced and diabetic, and forced to earn a living busking on the streets of San Francisco.
At the age of 54 and sober at last, his already prodigious performing and songwriting talents are now informed by a wealth of hard life experiences and his career has belatedly bloomed. His current album, Straight from the Heart, is a roots-rock gem, but even so it hardly prepares you for the musical and emotional masterclass that is a Carlos Guitarlos gig.
He seemed a little grumpy at first, berating the lighting engineer while rifling through a plastic bag filled with guitar accoutrements. And he was halfway through the zydeco-influenced shuffle of the opening number, Damn Atchafalaya, before the sound engineer located the fader to switch up his black Stratocaster.
Once he had done so, however, and Guitarlos had moved into the testifying R’n’B of The Love I Want followed by a blasting version of the Motown-influenced Ain’t That Lovin’ You, the extent of the man’s talent was beginning to be revealed. Blessed with a gruff but heartfelt singing voice and possessing a huge vocabulary of guitar chops, he performed like a rogue angel. With his long grey hair spilling out from under a fedora and an easy smile that suggested a lifelong mistrust of dentists, he looked and sounded every inch the battle-scarred survivor.
As if this was not enough, his three-piece backing band included the singer and guitarist Marcy Levy. Known for her work with Eric Clapton, for whom she wrote Lay Down Sally, Levy is also remembered as one half of Shakespears Sister, whose biggest hit Stay she also wrote. Tall, dark and exuding a Chrissie Hynde-like cool, she sang these and other songs in a beautiful, clear soprano, that was the perfect foil for Guitarlos’s street-hardened holler. She also took a two-verse harmonica solo during the 12-bar shuffle Women & Whiskey that was the sexiest thing I have ever seen on a rock’n’roll stage. The easy rapport between Guitarlos and Levy — “Beauty and the beast,” as Guitarlos described it — added yet another dimension to a performance that was already superlative. They rounded off with a sure-footed revival of Robert Johnson’s Rambling on My Mind and a blistering instrumental wig-out apparently called Pigfoot Shuffle. As far as basement-club blues goes, this was simply as good as it gets. –David Sinclair”
Five CDS currently are available from this rockin’/roots/Americana singer/songwriter/guitarist
STRAIGHT FROM THE HEART – 2003 * Page 1, Column 1 of L.A.Times, April 30, 2003 Carlos Guitarlos With Mike Watt, John Doe, Dave Alvin
HELL CAN WAIT – 2005 * Carlos Guitarlos With Marcy Levy, David Hidalgo, Gene Taylor
HANDSOME WOLF – LIVE – 2009 * Recorded live @ Winslow Court Studio mixed by Mark Linett, @ “YourPlaceOrMine”, Glendale, CA Mike Hightower, P-Bass, Joey Morales, Drums
SING AN HONEST SONG– ACOUSTIC 2009 * Mark Doten, Upright Bass, Carlos Guitarlos, Acoustic Guitars, Vocals
THE INNOCENT REMAINS –ACOUSTIC- 2010 * with EB-3L Gibson Electric Bass otherwise all acoustic with Carlos Guitarlos on all instruments and vocals
Keep up with Carlos Guitarlos events and appearances
guitarlos (dot) carlos (at) gmail (dot) com